International Mobile Innovation Screening 2011 23rd 26th November 2011 Film Archive Wellington MINA Mobile Creativity

y and Innovation Symposium 26th November 2011 Massey University Wellington

Cinema Screenings daily from 6:00pm Tickets can be purchased at the Film Archive Wellington Registration for MINA symposium and program details online at www.mina.pro

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Experiencing the world in a mobile way

Mobile phones have transformed from a communication device to a lens-based media. Over the last decade mobile filmmaking has evolved from underground and art house into an egalitarian moving-image practice. Everyday we carry the tools around to potentially produce feature films. In an international context, mobile film can provide access to filmmaking and video production for a new generation

devices can enable one to see the world from new viewpoints and angles. The beauty of mobile filmmaking is exposed through the creative exploration of filmmaking and its break from established rules and conventions. While mobile camera phones were never intended for filmmaking when they first appeared, the current third (or fourth) generation of smart phones are often equipped

of filmmakers. For local communities, mobile devices have the potential to engage audiences all around Wellington and beyond Aotearoa. Mobile

with high definition video. The very first pioneering mobile short and feature films, which were produced from 2004-2007, explored the

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at that time new mobile pixel aesthetic. Contemproary mobile filmmaking represent a new wave of cinematic exploration. Mobile filmmakers are constantly on the move and work in collaboration, their work is related to mobile bodies, connectivity, mobile experiments and the re-definition or rather remixing of traditional filmmaking genres. Artists and independent filmmakers ignited a new form of media production that

mobile work produced with local communities and young adults in Brazil, Germany, Russia and Australia, presenting the exciting work of MINAs international partners. The next generation of filmmakers will utilise the mobile device according to their own ideals and agendas. Mobile filmmaking is engaged in a constant innovation process that is influenced by multiple vectors. It is emerging as a field

also transcends the cinematic screen. Simultaneously, mobile filmmaking has also developed into a cultural practice. MINA showcases the

with its own aesthetic qualities. MINA provides a platform for the debate and exploration of these contemporary developments in New Zealand.

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Experiencing the world in a mobile way

The Mobile Innovation Network Aotearoa was cofounded by Laurent Antonzack and Dr. Max Schleser at the beginning of 2011. Alongside this screening program, MINA organizes mobile filmmaking workshops and provides a platform for the discussion of mobile creativity and innovation through both online and offline events. The MINA symposium on the 26th November at the College of Creative Arts at Massey University will bring together renowned international artists, filmmakers, industry professionals and researchers to share their ideas on the subject of mobile

creativity and mobile innovation in the creative industries. One of MINAs core aims is to engage the audience in the filmmaking process and to foster new emerging talent in Aotearoa. MINAs first major film exhibition at the Film Archive in November 2011 is curated by Dr. Max Schleser. The program features more than 60 international mobile films and includes the Asia-Pacific premiere of three mobile feature films. MINA would like to thank colleagues in the College of Creative Arts for their support in making this project possible and especially thank Associate Professor Chris Bennewith and Professor

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Anne Noble. MINA is supported by the Institute of Communication Design, Toi Rauwharangi, College of Creative Arts, Massey University. I hope you enjoy the program. Dr. Max Schleser

TEAM MINA Roy Parkhurst Contributing Researcher & Panel Chair Karen Curley Contributing Researcher & Panel Chair Program design by Klaus Kremer Logo design by Thomas Le Bas Video support Keir Husson Tech support Durgesh Patel Laurent Antonczak Co-founder Dr. Max Schleser Co-founder

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23rd November 2011

Opening Night Mobile Short Film Screening

Splitscreen: A Love Story by JW Griffiths (2:25) July by Joao Krefer Expose Yourself by Anders Weberg (1:14) (6:59)

[6:00pm 7:00pm] [7:00pm 8:00pm]

Ascension by John Bavaro and Suzanne Proulx Airport Nocturnal by Daniel Mauro Memory Cathedral by Dean Keep

(4:49) (7:44) (2:21)

Tricky Two (Royksopp) Tumaco by Felipe Cardona (8:13) Riyhad by Max Schleser (9:50)

Novo Ano by Louise Botkay Courcier (3:00) 24 Frames 24 Hours by Max Schleser and the 24 crew (8:00) Transformation Through Symmetry by Jovan Vucinic (3:50)

Reel Health by Joanna Ong / Tigo (5:29) Switched Eyes by Caroline Bernard, Michiko Tsuda and Damien Guichard

(4:23)

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Splitscreen: A Love Story

(2:25)

This is the story of two parallel lives, one in New York and one in Paris and the journey that will lead them together. Told simultaneously through the eyes of both characters.

July

(1:14)

Julys winter is much more than a season. Its a state of mind.

Expose Yourself

(6:59)

18 people from 11 different countries answered an open call where they where asked to interpret Expose Yourself in front of a mobile phone camera and send it to me. I then in turn, re-interpreted their interpretations and added my self.

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23rd November 2011

Tricky Two
Shot entirely on a nokia 5800. A trip to colombian pacific coast and amazon river. Unforgettable.

(8:13)

Riyadh

(9:50)

Riyadh portrays the Saudi-Arabian capital through the lens of a mobile phone. The mobile video captures contemporary architecture in juxtaposition with the traditional culture as experienced at the Al Jindariyah Festival.

Reel Health: Tanzania

(5:29)

In the U.S., there is 1 doctor for every 300 people; in Tanzania, there is only 1 for every 30,000. Ten Tanzanian medical students tell their stories.

Switched Eyes

(4:23)

This collective of French and Japanese artists creates cinema-oriented projects based on exchange where each participant places before the others their subjective view, which then makes it possible to elaborate hybrid and polymorphous cinematographic games.

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Ascension

(4:49)

Former, hunting societies sought to create religious significance out of their cultural ethos on cave walls, while modern society interprets its ethos through ephemeral pixels in quick, handheld, diaristic sketches of culture-told in day-to-day fragments.

Airport Nocturnal

(7:44)

This video is a mediation of the familiar and unfamiliar as the camera travels through the increasingly neon-soaked spaces of a vacant airport at night.

Memory Cathedral

(2:21)

Mobile phones are intimate personal devices that are ideal for capturing ephemeral sights, sounds and experiences of the everyday. Their use has become second nature and they are an integral part of a postmodern habitus.

Novo Ano

(3:00)

Between light and shadow, the world turns looking for life, health and happiness.

24 Frames 24 Hours

(8:00)

International collaborative mobile filmmaking. Seeing the world through the lens of mobile devices. Project initiated by Max Schleser and produced in collaboration with more than 60 mobile filmmakers in Germany, USA and New Zealand.

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24th November 2011

Mobile [Film] Festivals [6:00pm 7:00pm] Why didnt anybody tell me it would become this bad in Afghanistan. by Cyrus Frish [7:30pm 8:50pm]
Ohrenblick, Germany
Ohrenblick is a wordplay in German substituting eye for ear in the translation of the word moment. While mobile videos clips used to be shaky, blurred and have bad sound quality, mobile devices offer the opportunity to document virtually anywhere and anytime and allows everyone to tell her or his own story. These creative prospects are key for the mobile phone video competition, which ran last year in its fifth edition. The JFF, Institute for Media Education, mobile video competition is open for young people from 10 to 20 years asking them to produce a short clip (two minutes maximum). The most innovative and compelling submissions are selected by a nominated Jury and presented at an awards ceremony and screening, which takes place every autumn in Munich. www.ohrenblick.de also provides an opportunity for mobile filmmakers to network and find out more about mobile film-making, weather they are seeking to learn more about mobile phone or if they just would like to have some fun. Special thanks to Thomas Kupser, Kati Struckmeyer and the Institut fr Medienpdagogik in Forschung und Praxis.

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Mobilefest, Brazil
Composed by technical and cultural activities, MOBILEFEST - International Festival of Mobile Art and Creativity includes an international seminar, qualification workshops, international exhibition and recognition awarding for the best mobile works and applications. How can mobile technology contribute to democracy, culture, art, ecology, peace, education, health and the third sector? With special thanks to Marcelo Godoy.

HeArtBeat Festival, Russia

Heartbeats festival was launched in Ekaterinburg, Russia in 2009, inspiring local video makers to shoot short films about the city and about various things that they feel are important in life. The festival took place twice, both times showing the mobile films from all over the world, as well as films made by the local artists. With special thanks to Julia Kazarina.

Mobile Screenfest, Australia

Mobile Screenfest International 2011 is Australias mobile film and photo festival. Now in its second year, it is regarded as one of the most acclaimed mobile film festivals in the world due to the number and quality of entries, excitement and prestige of its annual Awards as well as industry supporters such as Adobe, Channel 11 and Youtube. With special thanks to Avnesh Ratnanesan.

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25th November 2011

Envision/Decision/Mission by Roger Guetta and Moscow Diaries by Adam Kossoff [6:00pm 7:15pm] God in my Pocket by Arnault Labaronne [7:30pm 8:50pm]

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Envision/Decision/Mission

This film is a series of testimonials by a diversified group of people from all walks of life on the subject of decisions.

Moscow Diaries

Based upon the diary that Walter Benjamin, German cultural commentator, wrote in 1926-27. The diary describes Benjamins efforts to get close to the woman he was in love with, his struggle to get around Moscow and the political debates of the time.

God in my pocket
A cell phone is the only eyewitness to a terrible drama... Rising TV starlet Caroline is kidnapped by a mysterious man while she goes to a shooting in Marseille. Before setting her free, he demands that she finds by herself the reasons of her captivity. Locked into a dark apartment, Caroline uses her mobile phone to communicate with her kidnapper via video messages, while keeping the link with her close relatives from whom she hides the truth by fear of reprisals on her daughter whom the kidnapper can reach easily. The screen of her video phone rapidely becomes her only window on the outside world. Among introspections, confessions, provocations and manipulations we are going to assist step by step the metamorphosis of the young lady

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26th November 2011

Mobile Short Film Screening Triton by Benot Labourdette

Mobile Bodies
Despair by Anders Weberg (1:06)

[6:00pm 7:30pm] [7:45pm 8:45pm]

Mobile Movement
Impressions by Anders Weberg Flying with Dali by Bebe Beard (16:38) (3:54)

4 Portes by Louise Botkay Courcier (6:00) Istanbul Gaze (again) by Sophie Jerrem (2:00) Twins by Peter Vadocz Me, My iPhone and My Minions by Mia Robinson (1:30)

Nine Times by Maria Donata Napoli (7:16) AKL WEL by Laurent Antonczak (2:00) Confined by Russell J. Chartier (3:34)

(2:30)

Connectivity
Yours & Mine by Anne Massoni (9:00)

LA VIE DES AUTRES Life of The Others by Pascal Laurent

(1:53)

Greetings from Matera by Peter Vadocz (1:37) Roku Jo No Kotoba by Hase (3:40)

Ephemeral Mobile Media VJing by Camille Baker (5:00) May Days by Sylvie Prasad (6:12)

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Twins

(1:30)

Twins. Sometimes they are the same, sometimes they are totally different from each other.

Yours & Mine

(9:00)

One evening, I received a late-night and lonely what are you up to text message from Chelsy. I sent a cell phone image back, it contained half of my face and half of my pillow, because, what Id been up to was sleeping.

Flying with Dali

(3:54)

Among other influences, Beard and Cohen enjoy the liberties the Surrealist movement made legitimate and they are front and center in Flying with Dali. Flying with Dali is a nautical daydream dreamt on a ferry leaving Boston Harbor on a bright, busy, and sunny day.

Nine Times
10 years of travels between home and workplace. 360.000 Km 223.694 Miles I could have gone to the Moon. I could have travelled the world nine times.

(7:16)

Confined

(3:34)

In this piece Russell J. Chartier explores the sense of confinement that many people feel living in large cities despite the many people around them.

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26th November 2011

MobiWood (Mobile goes Hollywood)

Daniel by Aurora Fearnley (8:13)

Mobile Experiments
Rimini by Dario Apostoli (6:37)

WAR IS INTITUTIONAL but PEACE IS THE BEST DETAIL by Evrensel rm (5:43) El Artista by Felipe Cardona mp3gp by Optika VJ Laura Ramirez Leal (1:25)

(5:41)

Wandering with my Shadow by Rani Khanna (2:14) Culture/box/lucidity (3:40) and Film for music (8:00) by Raphal Maze 2/8 Lifts by Marsha Berry (2:30)

Giver, Receiver and Gift by Timothy Schorre (1:50) Waking Up Life by Javier Lpez Prez (2:17)
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Rimini

(6:37)

Wandering at night among bathinghuts, deckchairs and sand in a seaside resort on the Adriatic. Following by chance a female figure between the corridors of the beach umbrellas

WAR IS INSTITUTIONAL but PEACE IS THE BEST DETAIL (5:43)

He used to dislike his school and its formal education, usually chose to play PC games rather than formal composing, but that leaded him to compose an electronic music named while playing SDL-ball.

El Artista
Everyone believe theyre artists. Shame on them. Todo el mundo se cree un artista, no les da ni pena.

(1:25)

mp3gp

(5:41)

completely spontaneous with no default actions that have captured the city to be transformed into a vibrant and engaging narrative, a mp3 accompained by a 3gp to give as a result an attractive visual piece of art.

Wandering with my Shadow

Choreographed to capture Light & Shadows and the shadow within us, blurring the gap between what is real and what is shadow.

(2:14)

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26th November 2011

MINA Mobile Creativity and Innovation Symposium Massey University, Wellington [Executive Suite 5B 14]
10:30am Registration [$ 30 including lunch] http://mina2011.eventbrite.com/ 11:00am Dr Camille Baker MindTouch: Mobile Media Performance [UK] Kasia Molga Saving the world with Twitter musing on alternative ways of communications. Not necessary among humans. [UK] Dr Christopher Fry Marking the possibilities: QR codes and new notions of space and place [UK]
Chair: Karen Curley

12:00pm Andrew Quitmeyer SemiAutomatic Filmmaking with Mobile Devices [USA] Laurent Antonczak Mobile Devices and Art Museum, a new learning experience [France] Daniel Mauro Speaking without Listening: Limitations of the Online Distribution and Accessibility of Amateur Video [USA]
Chair: Roy Parkhurst

01:00pm 02:00pm Lunch Break

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02:00pm Dean Keep and Marsha Berry The Mobile Aesthetic: Exploiting the possibilities for Creative Practice Roy Parkhurst A small history of cinematography: Walter Benjamin and the tradition of the city portrait Gavin Wilson The Body as Physical Conduit for Experience in a Phenomenology of Cell Cinema
Chair: Dr. Max Schleser

Daniel Wagner Entertainment Lab for the Very Small Screen (ELVSS)
Chair: Antony Nevin

04:00pm Rosngela Ap Mobile Art Mapping, Analysis and Classification of Poetic Proposal to use Cell Phones Max Schleser Mobile Filmmaking 2.0 Miss Pixels Im a serial creator The Hashtag Project [Canada] Roger Guetta Eureka Moments/ App Use As Vehicle For Self Discovery And Catharsis [Canada] Andrew B. White iPhoneography
Chair: Gray Hodgkinson

03:00pm Associate Professor Lynne Ciochetto Cellphones and social services for the bottom billion Tiago Franklin The Brazilian Perspective on Mobile Art and Mobile Filmmaking [Brazil]

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Tickets: $8 [$6 concession] for one screening $10 [$12 concession] for two screenings Tickets can be purchased at the Film Archive, Wellington. Registration for MINA symposium online at http://mina2011.eventbrite.com/ for further information email: max@mina.pro

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